I WAS BORN AND RAISED IN BRAZIL ANd found out i loved photography when i got an old canon ae-1 from my dad.

in my mid 20's, i got a job as a still photographer's assistant, that later led me to WORKING AS A P.A AT O2FILMES,

I loved the set and film production instantly...

in 2012, I Started my carrer as a Cinematographer on commercials, short-films, music videos and stop-motion animation.

since then i have free-lanced at major production companies in brazil such as vetorzero/lobo, o2filmes, hungry man, academia de filmes, KILLERS FILMEs and conspiração filmes.

I have lensed some cannes, annecy and d&AD awarded projects such as 'war on drugo', psa 'autism speaks', johnson&johnson´s 'breakdance', tim - 'soundemoticons' and red ballon - 'how do we say?'

I LIKE THE GOOD OLD NATURAL LIGHT, VARIOUS SITUATIONS, all live SHOOTING PROJECTS. but i'm also very fond of mixed media projects, cg,
post-production, motion control, studio filming and new technologies like 360, vr, camera tracking, photogrammetry, hdr
and in camera fx. 

STORYTELLING-WISE, I believe to be a good partner for the director. i think narrative comes before everything else. 

When I’m not working, I like climbing, surfing, playing guitar, traveling and getting to know art, music and diverse cultures.

Love exploring restaurants and food culture too.

 
 

 

WORK EXPERIENCE

 

FreeLance Cinematographer for commercials, music-videos, shorts and stop-motion animation.

(Nov 2012 - Present)

 

SECOND UNIT CINEMATOGRAPHER - rock,paper,scissors | KILLERS | VetorZero/Lobo (august 2010 - Nov 2012)

(camera operating / 2nd unit Dop)

 

TRANSLATION/ELECTRIC ON INTERNATIONAL COMMERCIAL SHOOTS IN BRAZIL (jan 2009 - july 2010)

(worked with: dion beebe | robert richardson | lance accord | stefan czapsky | and others)

 

production design assistant to several national and international productions (may 2008 - nov 2009)

(SCOUTING, PRE-PRODUCTION, TREATMENT, Scene lay-outs, wardrobe proofing, scouting, set building)

 

IN 2007 I WENT TO LOS ANGELES FOR A CINEMATOGRAPHY MAJOR AT THE LOS ANGELES FILM SCHOOL.

 

DIRECTOR´S CREATIVE ASSITANT TO CLAUDIO BORRELI - Killers Filmes (feb 2004 - april 2007)

(SCOUTING, PRE-PRODUCTION, TREATMENT AND SECOND UNIT CINEMATOGRAPHY

FOR A SERIES COMMERCIALS FOR NATIONAL AND INTERNATIONAL BRANdS)

 

FROM P.A TO TREATMENT, CREATIVE AND POST-PRODUCTION ASSISTANT - o2 filmes (jan 2001 - feb 2004)

 

commercial still photographer assistant - Cesar Cury (feb 2000 - jan 2001)

 

Art director assistant - qg comunicação | ad agency (july 1998 - feb 1999)

TRAinee & Mock-up / paste-up  artist - Ghirotti&Cia | ad agency (jan 1998 - july 1998)


Education

 

LOS ANGELES FILM SCHOOL | CINEMATOGRAPHY MAJOR | EDITING/COMPOSITING MINOR | PRODUCTION DESIGN ELECTIVES

(JULY 2006 - JAN 2008)

 

FACULDADE DE BELAS ARTES DO ESTADO DE SÃO PAULO | INDUSTRIAL DESIGN | PRODUCT MAJOR (JAN 2000 - DEC 2004)

 

ESCOLA PANAMERICANA DE ARTE | PHOTOGRAPHY (JAN 1998 - JULY 1998)

AWARDS

 

2016 

CANNES FILM BRONZE AWARD - PSA AUTISM SPEAKS

CANNES FILM CRAFT BRONZE AWARD - PSA AUTISM SPEAKS

CANNES FILM DESIGN BRONZE AWARD - PSA AUTISM SPEAKS

ANNECY AWARD - PSA AUTISM SPEAKS

CANNES CASE AWARD - TIM SOUND EMOTICONS

 

2015

CANNES FILM CRAFTS GOLD AWARD - WAR ON DRUGO

CANNES FILM CRAFTS SILVER AWARD - JOHNSON&JOHNSON´S BREAKDANCE

D&AD AWARD - WAR ON DRUGO

ANIMAMUNDI BEST COMMERCIAL ANIMATION AWARD - WAR ON DRUGO

CICLOPE FILM CRAFTS GOLD AWARD - WAR ON DRUGO 

IF AWARDS - WAR ON DRUGO

EL OJO - WAR ON DRUGO

 

2014

CANNES CASE AWARD - RED BALLON - HOW DO WE TALK?

 

 

 

 


OTHER

 

FLUEnt portuguese, english and spanish

learning: french

CAMERAS: ARRIA ALEXA, AMIRA, ALEXA MINI, RED DRAGON, WEAPON, EPIC, RAVEN, CANON C300, C500, 5D MKIII, SONY F65, F55, FS7, A7S

COMPUTER SOFTWARE: AVID | ADOBE PACKAGE | RESOLVE | DRAGON FRAME | FINAL CUT |  HTML | CSS | REDCINE |